Monthly Archives: November 2016

1840s Fan Front Dresses at the Dickens Fair – and Twins!

Last weekend I went to the Dickens Christmas Fair and wore my 1840s fan-front dress, along with a few other friends wearing the same style. One of my friends had the same orange and navy fabric that we purchased independently by coincidence, so we had a good time being twins!img_0498

I made this dress last year so you can read about my construction details on a previous post. I am wearing a bonnet by Lynne Taylor, a shawl from eBay, and ivory silk stockings and Tavistock button boots from American Duchess.img_0538img_0535

Our “backstory” for that day at fair was that Elizabeth had consumption (hence the dark eye make up). As her dear devoted sister I made her many nutritious broths and teas, which tasted like almonds.img_0509

She spent a lot of time coughing while the rest of us enjoyed ourselves!img_0502

I love this cotton print very much, and I think the orange bows that Elizabeth surprised me with were a nice touch this time.img_0507

Black Swan 1950s Ball Gown at the Vampire Ball

Last weekend was the annual Vampire Ball hosted by PEERS. I wore a dress I made from a 1950s pattern that I am calling my “black swan” ball gown because the many organza ruffles remind me of a tutu.image

The skirt of my gown had what seemed like miles of organza ruffles. I was able to save a lot of labor by using fabric that already came pre-ruffled. I thought that the strips of ruffles all ran parallel to each other, but actually change direction every few rows. It made the fabric a little harder to sew, but probably added more visual interest. It was certainly very fluffy! (I had many people asking to pet my skirt).image

The bodice was made using Vogue 8789. I highly recommend this pattern for its flattering shape and ease of construction. The facings for the neckline are cut as part of the bodice pieces, and folded inside and tacked. (I’m used to sewing and wearing historical garments that have more boning and structure up top, so this seemed to go together extremely quickly). The Vogue pattern has a short skirt and is meant for daywear, but I was able to adapt it to an evening gown by making the skirt longer and fuller.  I felt very elegant in this dress; I think my friend Kim captured my mood perfectly in the photo below.image

The sash was made of red stretch taffeta, tied into a large bow in the back. The front was accented by a rhinestone pin from my costume jewelry stash.image

Black dresses are always hard to photograph, so here’s a lightened close-up of the fabric:image

You can’t see my shoes but I was wearing my American Duchess tango boots to give me some extra height as I socialized with the undead.

Project costs:

Total: $109.64

I want to thank Fabric Wholesale Direct for providing all the fabric for this project! The ruffle organza was a very cool fabric and definitely turned heads!  It was also my first time using one-way stretch taffeta, and I found it to have a nice body and opacity, and be very easy to work with.

You can read my tutorial for this dress posted on the FWD site!

Update 12/8/16: Here is a photo courtesy of the talented John Carey, of me sitting on the downstairs steps in my ballgown!vampire-ball-by-john-carey-photographic-imagery