While I’m finishing up accessories for my Napoleonic project, let’s talk about the 17th century!
ca. 1664 Margaret Brooke, Lady Denham by Sir Peter Lely (Sheffield Museums)
I’m interested in 1660s and 1670s baroque fashion, which broadly speaking consists of a fully-boned bodice with a pointed front, wide neckline, full sleeves, and double-chins. (Yes, “soft features” were considered fashionable).
1667 Portrait of a Woman by Joannes Buns
There are many solid-colored gowns in portraiture, but the elaborate lace trim down the front of the gown was also very common.
1662 Married Couple in the Park attributed to Gonzales Coques (Staatliche Museen zu Berlin)
The 17th century is full of crazy hair. A lot of the hairstyles remind me of a cocker spaniel, full and curly at top.
Portrait of Maria Mancini by a Follower of Jacob Ferdinand Voet, sold by Bonhams Auctions
c. 1670s Maria Kazimiera (Casimira) d’Arquien, Queen of Poland by Voet
ca. 1670 Principessa Laura Caterina Altieri by Jacob Ferdinand Voet (Museo del Settecento Veneziano, Venizia)
1669. Portrait of Suzanna Doublet Huygens by Caspar Netscher from The Leiden Collection
If you like bows upon bows check out the Infanta Margarita Teresa.
(c. 1662-1664) Infanta Margarita Teresa, by anonymous at the Kunsthistoriches Museum, Vienna
My dress for the Costume College Gala will be inspired by this portrait of Grand Duke Ferdinand II of Tuscany and his wife Vittoria Della Rovere. Although there are many flamboyantly-colored gowns from the time period, the little goth inside my heart wants a black gown.
Grand Duke Ferdinand II of Tuscany and his wife Vittoria Della Rovere by Justus Sustermans at the National Gallery in London
My gown won’t be an exact reproduction but I plan to make a similar jewelry set. Look at those giant pearls! They look like they would be deadly if swung in the wrong direction.
Fresh Frippery 