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Category Archives: Fantasy

O-T-Tea Party 2016

Last week I went to the 2nd annual O-T-Tea Party in San Francisco. (The name is a reference to OTT, meaning over-the-top). The attendees were instructed to build opulent, imaginative, and or themed outfits using Japanese lolita fashion as a base.img_9740

I didn’t have time to make a new outfit from scratch, so I recycled an old dress I made years ago and jazzed up my coordinate with accessories and new embellishments. I wore the dress over a satin blouse with balloon sleeves and put on satin gloves with pearls and cutouts in the fabric. I carried a black velvet clutch purse with gold embroidery and had a golden rhinestone brooch at my waist. img_9704

I made my dress using a very soft and plushy black cotton velvet, screenprinted with gold. The crown motifs are accented with golden bows made of vintage jacquard ribbon and faux pearl and golden buttons I had in my stash.img_9751

I also wore a golden tiara with faux pearls (from Amazon) and a gold and black lace neck ruff from Aliexpress. These items were purchased new, but otherwise I already had a lot of things in my closet to complete my outfit!img_9755

I finished my outfit with Miss L Fire Vistas, which I previously wore with my 1920s outfit.img_9757

The event took place at the Sir Francis Drake Hotel, where we had delicious food, a vendor room, and many generous raffle prizes.

We were all given these pretty acrylic brooches with a number that was used for voting in the outfit contest.img_9749

Here are some group photos taken by the Lens Collective!lens-collective-1lens-collective-4lens-collective-2lens-collective-3

Lady Tremaine’s Bodice (Mockup Process)

This past week I started the mockup process for making Lady Tremaine’s bodice. Since the sequined fabric is very precious and I won’t have time to make another special order for it before Costume College I definitely wanted to take my time with the patterning.

I am using the Vintage Pattern Lending Library Ladies’ Basque pattern. I picked it because it had the shape I wanted, but cutting out the pattern pieces made me realize it had many more seams than I wanted. (Less seams = less trouble when dealing with sequins, and more screen-accurate).

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My goal was to eliminate the center front seam, the two side back seams, and change the four front darts into two. I can do this because I’m not very curvy, I don’t plan to wear this with a corset, and it is a fantasy costume. If this was meant to be a properly fitted historical costume bodice worn over a corset, I would not recommend removing seams.

I started by tracing the paper pattern pieces without modification onto some fabric leftover with another fabric. It was navy blue and I used a silver pen so it ended up looking like architectural plans.

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Mockup #1 was not sewn together; it was placed on the dress form to determine general fit, and I was able to see that there was too much fabric in the front. IMG_8350

To make adjustments I turned the mockup inside out, and then started pinching out extra fabric and pinning. I also made one giant dart out of the two darts on each side. When satisfied with the general fit I made more notes directly on the fabric with the pen, then disassembled the pieces for my pattern.IMG_8356IMG_8359

The final pattern pieces:IMG_8362

I then made mockup #2, which is wrinkly because I was too lazy to iron the fabric beforehand. =)IMG_8367IMG_8368

Then finally I cut out my sequined fabric! The sequins are on a sheer georgette, so I had to flat-line it with satin so that any raw seams tucked under would not show. The edges were serged because the satin was fraying and the sequins were falling off.IMG_8383

A note about sequins: The “right” way to sew sequined fabric is to unpick the sequins next to your seam allowance to avoid a bulky seam, or having some of the sequins be punctured or bent by your sewing machine needle. I skipped this step for several reasons: 1) I am working with very small sequins which will hide much better in the seam than large ones. 2) I am hand-sewing the bodice pieces together so that I can feel any resistance in my needle that I wouldn’t be able to tell by machine. 3) I am lazy and short on time to unpick so many tiny sequins and sew them back on.

Here is the current bodice. I still need to add sleeves, trim the neckline and bottom, add closures, and start the scary process of flocking!IMG_8413

 

1940s Star Trek Dress (Part 2)

I’ve made some progress on my 1940s Star Trek dress. I still need to do some finishing touches, but the major parts are done. (The skirt, sleeves, and bodice bottom need to be hemmed, the zippers need finishing, and I need to make piping for the neckline. I’d like to fuss a bit with the front gathers as well).IMG_7809

Obviously it will need a good ironing once it’s done!IMG_7811

I am also trying to decide whether to buy official TNG pips or to use these fancy buttons I have from my stash.IMG_7813

You can read about Part 1 here.

Circulatory System Dress (aka the Heart, Blood, and Lungs Gown) at the Vampire Ball

Last night I attended the annual PEERS Vampire Ball wearing my circulatory system dress, complete with heart and lungs!

IMG_6037 IMG_6043I did not have time to make a new dress from scratch, so I modified a purchased dress.

I found this really neat gown that was covered in red embroidery that reminded me of blood vessels. (I think it might have intended to evoke sea coral). I thought “Hey, it would be creepy and cool to add organs to it!”

IMG_5999IMG_6005I have a friend with an embroidery machine (who has an Etsy shop), so I sent her the specs and I asked her to make me some heart and lungs in the size and color I wanted.

I cut them out of the fabric base, fray-checked the edges, and sewed them to my dress. The dress was a hit at the Vampire Ball. Lots of people told me the heart was grotesquely cool, and when I turned around they were charmed by the lungs as well. Sometimes I backed up against a friend and said “I’m breathing on you!” because I’m that kind of weirdo.

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There were lots of amazing costumes at the event. I didn’t take as many pictures as I would have liked, but they are on my Flickr account.

I originally planned to make a brain fascinator, but decided it might take the dress over the line of “elegant and creepy” into “just plain weird.” In the end I bought a red fascinator from Amazon (affiliate link: Red feather flower fascinator)

Midsummer Night’s Ball and Tulle Fairy Tale Skirt

Last night I went to the Midsummer Night’s Ball, hosted by Sam and Monica of Overattired.  I made myself a tulle skirt filled with flower petals that I am calling the fairy tale skirt. IMG_4895I originally intended the skirt to be worn with a mint green petticoat and top, so it was made with a green waistband matching sash. However, since I am busy sewing for Costume College I did not have time to make a mint green top so for the ball I decided to go with a cream coordinate, and wear the skirt over a H&M chiffon dress I already had in my closet. This is what the skirt looked like at home.IMG_4787The tulle and chiffon are from Fabric Wholesale Direct, and I wrote a step-by-step tutorial with pictures for their website. Tulle skirts are easy and fast!

My antlers are from Sweet Mildred, and are lovely both from the front and back.IMG_4916 IMG_4919The shoes are an eBay find from a few years ago. I’ve also worn them with a 20s tea outfit.

IMG_4915The belt is also from eBay, and the acorn necklace is from LOTV Designs.IMG_4921A silly pose!

IMG_4897At the ball I delivered a dress I made to Jean, editor of San Francisco/Science Fiction Magazine. I made this for myself years ago, prior to this blog, so I don’t have any construction photos to post. I am glad the dress has found a new home! It is a damask dress based on Italian Renaissance design, and trimmed with gold and white twist with gold beads. I also made the puffed-sleeve blouse worn underneath. IMG_4910