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Wedgewood Blue Gibson Girl Gown and Undergarments

I attended a dinner party on the Delta King River Boat in Sacramento. The event was hosted by the GBACG and people were encouraged to wear clothing from 1870-1900. I decided to make a Gibson Girl dress out of a Wedgwood blue silk taffeta, trimmed with white lace.IMG_2870IMG_2856

My inspiration was the famous Wedgewood pottery. IMG_1670.JPG

I have some additional appliqués I purchased that I didn’t have time to add for this event, but will for the next wearing to make it even more like pottery. IMG_2096.JPG

The bodice is made with Truly Victorian’s 1892 ball gown bodice and 1893 bell skirt patterns. I found the fit of both to be good, but the bodice is very long and I had to cut a bit from the bottom, even though I am long-waisted.IMG_2796

Some bodice in-progress photos that show the amount that needed to be trimmed:

My jewelry is by In the Long Run. My gloves are vintage and the purse is from a bridal shop. I am wearing Tissots from American Duchess.IMG_2742

I did not use the sleeve pattern that came with the bodice pattern. Instead I gathered up a rectangle of silk chiffon to make flowing sleeves.IMG_2727

The top was gathered and serged.IMG_2673

The back closes with hooks and eyes.IMG_2729.JPG

I decorated the front with a silk chiffon sash and little flowers that I put faux pearl centers in. IMG_2725

I would have liked to hem the end of the sash and add little pearls to the edge, but I was recovering from a hand injury and couldn’t do any hand-sewing, so it’s just a pouf for now. Thus I had to get creative with ways to avoid it!

Ways to save on hand-sewing:

  • I used a white silk chiffon scarf to trim the bodice, so the edges were already hemmed!
  • I serged or machine-sewed any seam I could.
  • I hemmed the skirt by machine, and then covered the machine stitches by sewing lace over it.
  • Instead of cutting a facing, I used a wide vintage rayon ribbon as a hem facing.
  • I used boning that already came with a casing, so I didn’t have to make the casing. I also had casing that had little “fins” on it so that I could machine-sew the boning onto the seam allowance of the bodice.
  • I used hook and eye tape instead of individually sewing on hooks and eyes.
  • Oh horror: I serged the bottom of the bodice, then flipped it up and held the hem in place by ironing on Stitch Witchery!

Because I flat-lined the fashion fabric to a cotton base, and I couldn’t hand-baste the pieces together there is some puckering. Although it’s not up to my “usual standards” I am still quite proud of what I was able to do with what I could, and I had fun with my friends!IMG_2848

Underneath the skirt I wore a long petticoat based on the Truly Victorian bell skirt pattern, with a big ruffle and trim attached.IMG_2162.JPG

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I wore a custom S-bend corset from Redthreaded, with hip pads, and a bust pad. The padding is necessary to achieve the exaggerated Gibson silhouette. I went from an 8 inch differential in my waist and hips to 13 inches, with only a 1 inch waist reduction!

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I used the “bust improver” pattern from Wearing History, which comes in 2 sizes. I recommend it to give your girls a little extra something!Screen Shot 2018-11-04 at 8.11.32 PM.png

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Project costs:

  • 8 yards silk taffeta: $113.44 including tax from the LA Fabric District (I still have 3 yards left!)
  • 10 yards white veins lace: $34.01 including shipping from Aliexpress
  • 15 pairs grape leaf appliques: $36 including shipping from Aliexpress
  • bodice pattern: $10.75 from Truly Victorian (digital file)
  • skirt pattern: $0 (already used previously)
  • vintage rayon ribbon spool: $3
  • silk chiffon: $0 (gift from friend)
  • 3 yards white cotton for petticoat: $12 from eBay
  • pink trim for petticoat: $3 from garage sale
  • boning, thread, hook and eye tape, flowers, etc. from stash: ~$10

Total cost: $222.20 (plus I have a lot of silk and lace leftover I’ll probably sell to recoup some costs). Normally I don’t tally the costs until the dress is finished, and I still have to add the grape appliqués, but at this point it’s additional labor and not additional materials, so I added everything up. (When I started this blog my goal was to make things for $100 or less, and I’m seeing costs creep up because of nice materials. Hopefully my next project is a lot cheaper!)

All the hair you can see in the picture below is my own, which is currently shoulder-length. I pinned a big hair rat to the top of my head and two smaller ones on the sides, and then all the hair was pulled over the rats and pinned into place. The messy center was hidden by a faux hair bun pinned on top.IMG_2856

I’m not sure yet, but this might be a nice gala gown for Costume College 2019, when it’s all done!

 

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Gatsby Summer Afternoon 2018 Picnic

(Hi everyone! Sorry I’m a bit behind on blogging because I’ve had to limit my computer time due to a hand injury, so posts are written slowly, bit by bit. I haven’t forgotten that I need to give details of my Crimson Peak outfit, and I have posts planned for my Gibson Girl project!)

Last month I went to the annual Gatsby Summer Afternoon at the Dunsmuir House in Oakland, CA. It went by so quickly I didn’t take a lot of pictures this year but I’ll share the ones I have!

Here I am with Kelsey (in 1930s sportswear) and Natalie (in a self-made dress using vintage fabric).IMG_1943

My dress is vintage, but actually 1970s vintage that happens to look like a 1930s dress! (Although the colors, cut, and print are correct for the time period I could tell it wasn’t really 1930s because of the label inside the dress, and because the brown trim is serging instead of piping). It was apparently quite convincing, because I was a finalist in the fashion contest!IMG_1896

You can barely see them but I am wearing Gibsons from American Duchess, an 18th century straw bergere that I trimmed, and vintage Bakelite and cut steel bangles.IMG_1878

I considered a few other pairs of shoes but ultimately chose the ones in the middle.IMG_1828.JPG

We might have gotten a little rowdy at some point. Kelsey found a croquet mallet that matched her outfit perfectly and decided to menace Mena with it.IMG_1951

As always there were vintage cars!IMG_1971

Thank you John Carey of these following photos of me with the other Vintage Style Council gals!41497323_1687158268078098_3411786410644996096_o41572276_1687159128078012_7237750721100120064_o

I had a lovely time as always. See you there next year!

Costume College 2018 – The Big Post!

I shared pictures of my own costume line-up in my previous post, so here are some of the many clever, beautiful, and wonderful costumes I saw at Costume College this year! (For those of you that don’t know, CoCo is a 4-day costuming conference filled with classes of all types for various skill levels, with social events in the evening. It takes place in a hotel in Woodland Hills, California). There were 650 attendees, so this is only a small fraction of what I saw.

THURSDAY

The first day (evening) of CoCo kicks of with picking up our registration packets, then heading to the pool party.  I’m afraid the lighting around the pool is not conducive to photos, but the quality of my pictures does improve over the weekend. =) This year’s theme was “In the Realm of the Goblin King.” Here I am with Gloria as the DC Bombshells Catwoman.IMG_0405.JPG

I was amazed by the details in these Prince Nuada and Princess Nuala costumes from “Hellboy: The Golden Army.”IMG_0425

I loved this rendition of the Paper Bag Princess by Carolyn. IMG_0368.JPG

Terri as a mouse from Cinderella was absolutely adorable!IMG_0370.JPG

Tanya wore a lovely monarch butterfly ensemble.IMG_0446.JPG

This Medusa with the light-up eyes was amazing!IMG_0422.JPG

The rest of my Thursday night photos are on this Flickr album.

FRIDAY DAYTIME

The ever-lovely Merja in her 18th century!IMG_0632

Amanda was sporting a pretty ensemble, complete with a Burnley and Trowbridge handkerchief. IMG_0648

Rebecca was perfect in 1890s.IMG_0651

I spotted Mena in vintage and Gina in sailor!IMG_0590

Nicole, Lauren, and Natalie were having a great time! (I have a series of not-so-serious photos of these ladies).IMG_0580

Sherry looked so relaxed in her tropical outfit. I adored her necklace.IMG_0557.JPG

And our brave adventurers! (Photo by Gloria of In the Long Run).29122203937_6343cbca72_o

FRIDAY EVENING

The Friday night social brought out a lot of fancy outfits!

Here’s Abby looking sassy.IMG_0698

Vanessa looked so regal.IMG_0727

Jez did an amazing Gamagori cosplay!IMG_0764

Ginger had a beautiful Regency ensemble with a diadem.IMG_0770

Jennifer did one of those crazy English regency court gowns!IMG_0768

A showstopper from Emily.IMG_0765.JPG

Breanna hand-painted this gown to recreate the famous Schiaparelli lobster dress!IMG_0775.JPG

I finally got to see Adria’s Her Universe fashion show entry “Rebellion Reborn” as well! Definitely check out her Instagram for better pictures of this amazing beaded and feathered ensemble!IMG_0690.JPG

Kelsey is always a vision in pastels.IMG_1290

Elizabeth’s Crimson Peak dress had so many beautiful details!

And Adrienne was appropriately creepy as well, with her hand-formed leaf details.

I have a detailed breakdown of my Crimson Peak costume for a future post.IMG_0732

The rest of my Friday photos are in this Flickr album.

SATURDAY DAYTIME

I didn’t take a lot of Saturday daytime photos because I was busy with classes and my Maid Brigade meet up (photos by Gloria of In the Long Run).29171653207_38c272ae40_o

Since we have been called each other’s names repeatedly throughout the years at CoCo and other costume events on both the West and East coasts, for your reference from left to right, with links to our Instagram and blog names: Vivien of Fresh Frippery, Christine of Sewstine, A.J. of Confused Kitty, Ashley of Evil Sewing, Adrienne of Wax Sealed Costumes, and Gloria of In the Long Run.29171655517_4eebc81c1e_o43390886044_c2d000176a_o29171651157_676e89fc80_o.jpg43390881224_8bc0636c97_o

SATURDAY EVENING

The theme was “Royals” so there were plenty of people pulling out all the stops! (Please keep in mind not everyone attends the gala, and plenty of people dress casually and watch the red carpet as paparazzi, and the royals theme encouraged over-the-top costumes. These outfits are not representative of everyone or every year, so don’t think you have to “costume at a certain level” to attend Costume College!)

First up, my friend Kelsey in her amazing Queen Amidala! She spent so much time on all these details, hand-beading her gown!IMG_0934

Natalie’s court presentation gown was absolutely gorgeous.IMG_0958IMG_0954

Lauren and Emily had fun with the bourdaloue.IMG_1010.JPG

Karen’s Alien Queen was so creative and wonderful.IMG_1001.JPG

Katherine’s 1920s Cersei was lovely!IMG_0911.JPG

Aimee’s Grandmaster was a hoot.IMG_1069

There were some amazing queens.IMG_1046

Stephanie, Jessie, and Kim made a beautiful trio.IMG_1051

I loved Maria’s Mayan wedding ensemble and her detailed explanation of it!IMG_1066

Check out all the details of Twila’s 1924 Viola Dana costume!IMG_1077

Beth looked gorgeous!IMG_1084

Behold some impressive royalty from Atlantis!IMG_0851

The Homemade Historian and Seamingly Vintage were 1950s beauties!IMG_0862

Ashley’s dress reminded me of candy!IMG_0863

The rest of my Saturday photos are in this Flickr album.

SUNDAY

The last day of CoCo started out with a line to get into the bargain basement! It’s a can’t-miss for me each year; I always find something interesting to take home and the proceeds from the donated items go to the Costume College scholarship fund.IMG_1117

I skipped the tea this year but there were many delightfully dressed attendees. I thought Val’s chess costume was very clever.IMG_1237

Tanya’s dragonfly suit and clever lilypad fascinator made up a chic ensemble.IMG_1238.JPG

There were some ladies who decided to do a “Dress of Wrong” theme, using non-historically correct fabrics to make a historically correct silhouette. These 18th century outfits by Gretchen (Strawberry Shortcake) and by Taylor (Beauty and the Beast) were part of this group.IMG_1191IMG_1195

Some people opted for stylish comfort during Sunday. Kelsey sported a glamorous vintage PJ ensemble.IMG_1218

Natalie’s robe volante was a big fluffy pink sack of silk!IMG_1173

The rest of my Sunday photos are in this Flickr album.

Thanks for reading; that was a lot of photos! I’m looking forward to the fabulous fun of next year!

If you are interested in attending Costume College next year, take a look at their website. You can also ask questions on the Facebook forum. The classes change every year and will be announced later. Don’t worry about being “good enough.” Many people do not dress up for the classes and not everyone attends the evening costume socials. There are attendees of every skill level and interests vary from cosplay to historical costume to vintage to steampunk! Come join us and have a wonderful time!

How to Make Your Own DIY Mermaid Tail Tutorial

Happy Mermay! I recently completed a shiny sequined mermaid tail, and decorated a shell bra bikini top to go with it. I am not sure yet where I will wear this, but it was fun being a mermaid for a little while!IMG_9098.JPG

The shell bra was purchased from Aliexpress, and then I added hot-fix rhinestones and sewed on faux pearls.pic13

I used the mermaid sequin scale fabric and power mesh lining from Fabric Wholesale Direct for the tail, which has a swim mono fin inside.pic12

This is actually a pretty easy project, and a simple pattern.pic2

The complete tutorial with a materials list and illustrated instructions can be found on the FWD website.  Thanks Fabric Wholesale Direct for the fabrics and the chance to play mermaid for a day!IMG_9048.JPG

(All the fabrics for this project were provided to me by FWD, but I was not paid for this post).

It’s Not Necessary to Be Mean: Snark in the Costuming and Cosplay Community 

I have been sewing for 15 years, and the vast majority of people I’ve met in the costuming and cosplay community have been kind, enthusiastic, and helpful, so for the most part I may be “preaching to the choir.” This post is directed at the small minority of people who might need a little help recognizing that some of their behaviors may have been unintentionally unkind, and to offer suggestions to people who want ideas on how to be more welcoming. This post is also directed at newcomers; I hope you will not be too intimidated to join us and have fun!

IF YOU ARE EXPERIENCED:

You can always find something nice to say:
Even if it’s not an outfit you’d wear yourself, you can say “What beautiful fabric!” or “That’s a lovely color on you!” If you can’t think of a compliment, ask a question, such as “Did you use a pattern?” or “Have you been here before?” Show an interest in someone you don’t know because . . .

We need fresh blood:
Communities and hobbies die without new members. Don’t scare anyone away; it will ultimately hurt you in the end. Socializing exclusively with a small elite group might sound appealing, but it’s hard to rent an event hall or host a convention on your own.

Authenticity goals vary:
You may only hand-sew everything in period-correct fabrics such as silk and wool. That is great! I am genuinely impressed! However, some people may machine-sew in natural fibers or synthetic ones due to time, budget, or personal preference. Someone might have hot-glued an outfit together because they heard about a Halloween party last-minute. None of this is “wrong.” Everyone has a different goal, and don’t assume theirs is the same as yours.

Recognize the difference between individuals and entities:
Costuming snark for educational reasons, directed at movies put out by big-budget studios, such as that done by the hilarious ladies at Frock Flicks, is fine! Snarking at an individual person just to be exclusive is not fine; it’s snobbery.

Don’t offer unsolicited advice:
Would you approach a stranger on the street and tell them their shoes don’t go with their outfit, or that their jewelry is wrong? Hopefully not. So, why would you do that at a convention? (Telling someone nicely that their skirt is flipped up and their petticoat is showing is a different matter; that should be welcomed because it is something that can be fixed right away).

IF YOU ARE NEW:

Nitpicking is not about you:
Some people like to nitpick, and it reflects more on themselves than your work. Don’t take it personally. Turn a negative into a positive! For example, I once had someone criticize a 1 cm-wide area on the back of an elaborate outfit, and I took it as a compliment. If that person had to dig that deeply to find something negative to say, I must have done a good job.

Shyness is not snubbing:
There are a lot of introverts in the community. Someone may be aloof because they are shy, or experiencing sensory overload. They may also be “famous” and overwhelmed by the number of people they’ve had to meet and greet that day. Just because someone doesn’t engage you in conversation does not mean that they’re trying to be rude. If people aren’t being obviously mean, don’t take it personally.

Photos are not real life:
Just remember, most people don’t post bad pictures of themselves. Photos are carefully curated to show the best angles and flattering light, with nothing out of place, or even photoshopped. Don’t feel down if you have wrinkles in your sewing because everyone else looks “perfect.” In real life, fabric wrinkles because we have to be able to move.

Photos are not always representative of an event:
I’ve seen comments along the lines of “I can’t go to (random event)! Every single person there is dressed incredibly well!” It’s normal for flashy costumes to be photographed and posted more. An “epic” costume going viral doesn’t mean the rest of the crowd is dressed on the same level. Most wedding pictures feature the bride. Does that mean all the guests were wearing big white dresses?

Not everything has to be silk:
Don’t let anyone make you feel ashamed for using polyester. Even though I make and love silk dresses, some of my best-received costumes have been made from dead dinosaur. Sometimes it’s just the right fabric for what you’re trying to make. Fit and styling are just as important as materials.

FOR EVERYONE:

Cosplay is not consent!
Don’t touch anyone or their stuff without permission. It’s a violation of personal space, and props and fabrics may be delicate. Many people will be obliging and let you pet their pretty fabric if you ask first! Costumers are makers and many are happy to discuss their project with you. Also remember, just because someone is willing to pose for a photo with you does not mean they have agreed to let you put your arm around them, or touch another part of their body. Always ask!

The bottom line is don’t be a jerk! We all had to start somewhere.image1-3.jpeg

Decades of Style 1930s Beach Pajamas Pattern Review

My last completed project (actually done before Gatsby but not photographed until later) was a pair of 1930s beach pajamas, using the Decades of Style 1930s Last Resort Beach PJs pattern.PHOTO 7.JPG

When deciding if a pattern is good I have these criteria:

  • Is the sizing chart accurate?
  • Do the pieces fit together?
  • Does the finished item look like the pattern envelope?
  • Does the garment fit and flatter?
  • Do the instructions make sense?

Um, check, check, and check! I’ve used Decades of Style before and once again I’m impressed by the quality of their work and highly recommend this pattern.3015_webart_final

I did not make the jacket so I can’t comment on that, but the beach PJs themselves went together nicely. If you’ve made pants before this should be easy for you. It is a pair of high-waisted pants with a top that doesn’t have too many pieces. I made the backless version because I didn’t have a long zipper in the right color, but there is an optional triangle pattern piece for the back if you want to be able to wear a regular bra.PHOTO 8.JPG

I made a small change in that I made and used bias tape to bind the neckline and armholes, and added a bow. The pattern includes facings and I did not use those since I wanted decorative binding.

The pants legs are also really long! This is great for tall people, or someone who wants to wear high heels. I had to cut a few extra inches off my hems, but that is a very easy fix, and better than finding out near the end that the pattern runs short.

The pockets in the pattern are a nice touch (even if I accidentally made one of mine higher because I was sewing late at night)! They are a functional size, and are a cute detail.

Just for fun, this is a picture of a mockup I did in a flower fabric I picked up from the CoCo Bargain Basement. I just roll-hemmed the raw edges, but it’s good enough to wear around the house as a lounge outfit.IMG_3606

I used rayon challis for this project, so mine are nice and soft, just like real PJs!. I see this being a very comfortable outfit for a future Gatsby picnic, or the beach! IMG_4105.JPG

Project costs:

  • 8 yards navy rayon challis: $30.32 from Fabric Wholesale Direct. (You only need 3-4, but I doubled up because i wanted a thicker garment).
  • 1 yard red rayon challis: $3.99 from FWD
  • 4 cones serger thread: $10.36 from FWD. (Since I was doubling up the fabric I sealed the layers together with a serger during flat-lining).
  • 1 blue zipper: ~$1 from eBay (part of a lot)
  • Pattern: $27.75 from Decades of Style (including shipping and tax, bought during a sale)

I got the first three items from FWD in exchange for a tutorial on their website, so my actual out-of-pocket cost was less than $30, instead of $73.42!

I like this pattern a lot, and would love to make it again if I find the right print.

Summary: Buy this pattern from Decades, and see you on the beach!IMG_4445

1660s Cavalier Dress at Costume College (and Bonus: Hacking the American Duchess 18th Century Undergarments Pattern to Make a 17th Century Chemise)

I now have photos for my 1660s Cavalier dress from official Costume College photographer Andrew Schmidt, as well as a great group photo of the rest of my Cavalier ladies!IMG_4216-(ZF-7662-83598-1-001)

You can see my previous posts about this project under the tag “Cavalier” but if you keep reading I will discuss the things that went wrong with this project, and what I would do differently in the future, so you can learn from my mistakes!IMG_4217-(ZF-7662-83598-1-002)

I am very happy with how our group turned out, with the variety of colors, trimming, and hairstyles. Left to right, back to front: me, Teresa, Cate, Kim, Jessie, and Elizabeth.IMG_4211-(ZF-7662-83598-1-003)

I used the Nehelenia 1660 Baroque dress pattern. This era is completely new to me, and I have no experience with this shape of the bodice, so I followed all the instructions. This included making bound bodice tabs (similar to 18th century stays, seen below) to help distribute the weight of the skirt, and sewing all the bodice pieces of the fashion fabric together before attaching it to the boned interlining.IMG_2904

These steps may be period correct, but created some extra work and issues, so I have some comments about what I would do differently if I made another dress of this style:

  1. No tabs! Anyone who has made stays knows how time-consuming it is to bind them! Since my skirt was a lightweight taffeta, I could have skipped the tabs and pleated the skirt directly to the bodice and saved a lot of time. (I would not recommend this for a heavy skirt like velvet or brocade). Dressing would have been much easier too, since I would have had a one-piece dress to slip over my undergarments. Instead, I had to make sure the front tab was over my skirt, while my back and side tabs were underneath my skirt, while my bum roll was over my bodice back tabs but under my skirt. It took some help getting dressed!
  2. Do not finish the fashion layer before sewing it to the interlining. I had some problems with wrinkling in the bodice. I think it would have helped if I sewed the fashion fabric to the interlining, and then sewed each pattern piece together (the way 18th century stays are made). This would have reduced the wrinkling and wiggling. I talked to someone else at the  Gala who was also wearing a 1660s gown, and hers was so smooth! She said she sewed the bodice the way she would a pair of stays.
  3. Maybe skip the cartridge-pleating. I love tiny cartridge pleats; they look delightful and neat. I am glad I did them for this dress, but for speed in the future I would probably do larger pleats to save time. I ended up spending so much time on them that I was not able to do my eyelet closures before a medical procedure made it impossible for me to sew, and recovery took longer than expected so I had to be sewn into my dress at CoCo! (I can’t remember the last time I showed up at an event without closures, but it’s a humbling reminder that life sometimes intervenes.)

Some of my problems may have been attributable to my use of silk taffeta instead of a thicker silk satin, but I wanted to use what I had in my stash, and the skirt was so light and lovely to wear.

I made the jewelry out of giant acrylic pearls, strung with fishing line. Glass pearls would have been lovely, but very heavy, and since I was going to pin the drape directly to a silk taffeta dress with a silk gauze neckline, I wanted it lighter.

Bonus: Hacking the American Duchess 18th Century Undergarments Pattern to Make a 17th Century Chemise)

I promised a pattern hack in the title, and here it is! This 17th century dress required an off-the-shoulder chemise, which I did not have. I also did not want to draft one from scratch, so I hacked the American Duchess 18th Century Undergarments pattern (Simplicity 8162). This is what the original pattern looks like:8162

Ignoring the ruffles, you have a body panel with a shoulder strap, a sleeve gusset for the underarm, and a square sleeve that is folded to form a tube.IMG_2634.JPG

However, what if you fold down the shoulder strap, shift the sleeve and gusset down, and double the size of the sleeve piece to make it fuller? (Previously you cut a square that became a tube, now you cut a large rectangle that becomes a square).IMG_2639.JPG

This is the shape you get:IMG_2644.JPG

Add a drawstring neckline, and you get an off-the-shoulder chemise!IMG_2648.JPG

Please note, my sleeves are a bit shorter than what you see historically. A proper 17th century chemise would have had much longer and exaggerated sleeves. I made these shorter for several reasons:

  1. I plan to reuse this with other gowns where a billowy chemise sleeve would be inconvenient.
  2. The portrait I am using as inspiration has an exposed chemise sleeve made of finer materials than the linen I used, plus little ribbon ties; thus I made false sleeves that can be attached to my black bodice that will allow for nicer fabric and no need to fuss with tying bows each time I wear it.

So, if you do not have the reasons enumerated above, you should quadruple (not double) the original sleeve pattern into a giant square, not a rectangle.IMG_3853

(Yes, those are green and purple crayons because my child left them next to my computer and I was too lazy to go looking for nicer writing implements).

Final reckoning:  Let’s tally up!

  • 10 yards of 35″ black silk taffeta: $49.90 + $8.75 shipping = $58.65 (Yay for fabulous sales from FabricMart!)
  • Nehelenia pattern: $23.96 including shipping (I ordered with a few other ladies and split the postage from Europe)
  • Lining and boning: $0 (left over from my 18th century stays project)
  • 2 yards linen (for chemise) and 1 yard silk gauze (for bodice neckline): $23.94 including tax and shipping from Dharma Trading (I ordered double that but am setting the rest aside for a different project, so I’m halving the cost)
  • 1 yard silk cotton blend for lower sleeves: $17.99 from Amazon
  • 120 giant pearls: $11.28 from Aliexpress
  • 2 brooches: $5.40 from Aliexpress
  • 2 “small spiral corkscrew” cheerleading/Irish dancing hair clips: $43.11 including shipping from eBay seller american_costumes
  • Ribbon, thread, hooks and eyes, polyfill for the bumroll, etc. from stash ~$5?

Total: $189.33

So the silk was cheap, but all the extras added up! Normally I do not count accessories and hairpieces, but in this case they are very specific to this era and the portrait inspiration, and they’re not very versatile for other eras.

Finally of course, as always, my shoes are American Duchess. They are the Pompadour French Court Shoes in black (affiliate link).

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This was a long post, so thanks for reading!