Tag Archives: 18th century

18th Century Half-Boned Stays (Part 1)

I have decided to make some 18th century stays, in preparation for making a chemise a la reine for April 2015, as part of the same group that have been 1830s Romantics and Gibson Girls!

I am using JP Ryan’s Half-Boned Stays pattern, and planning to bone with reed cane, both of which I purchased from Wm. Booth Draper.

stays0Currently I am past the mock-up phase and have cut out my pieces, and I’m getting ready to start sewing today (unless Costume ADD strikes! I admit I have been spending a lot of time online, looking at pictures of plaid dresses).

I have heard of people making mock-ups out of cardboard, which seemed like a nifty way to save fabric and avoid boning a mockup since the cardboard was so stiff. Plus taping is much easier than sewing, right?

It was a good experiment, but it didn’t work out too well for me. I did learn a few things though for the future, although I doubt I will be repeating this:

1. Don’t use masking tape. Try duct tape; it’ll hold better.

2. Don’t use super stiff cardboard. It won’t bend to fit you, even if you have a boyish figure.

3. Use cardboard pieces large enough that you can cut the pattern pieces out with the corrugated channels in the same direction as your boning.

4. Since you are taping, not sewing, don’t forget to take out the seam allowances in the pattern when cutting out the cardboard. I ended up having to cut the pieces down a bit, which negated some of the time savings I was counting on.

Here are my cardboard stays:

stays1I couldn’t get it to conform to my body well enough to be a proper mock-up, but it did give me enough of an idea that I felt comfortable cutting out the lining and putting it together like a second mock-up.

stays2The lining is made of linen scraps left over from my 1920s Daisy Dress.

I’ve cut out the interlining, which is white cotton duck, and the cover fabric, which is a cream-colored silk taffeta. The silk is thicker and stiffer than your usual taffeta, and was a remnant, so I decided it was perfect for this project. Here are a few pieces waiting to be sewn:

stays3This is my first foray into stays and corsetry. Wish me luck!

Robe a la Francaise (18th Century Lolita) Dress Project

My silk robe a la francaise dress is finished! I don’t have any in progress pictures because I originally made the dress before I had this blog, but recently revamped it for a fashion show. (I added an invisible zipper, Watteau back, ribbon flowers and front bows).

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This dress is a combination of 2 inspirations: 18th century French fashion, and Japanese lolita fashion. The dress is too short for the former and a little long for the latter, but my intention was to marry the two into something decadent but wearable.

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A side view:

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The bodice panel is salvaged from a vintage wedding dress. I love the beading! I added the venise lace, pleated neckline, ribbon roses and bows.

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More close-ups:

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The back of the dress features Watteau pleats in the robe a la francaise style. Historically, these would be sewn into the back of the dress but I made mine detachable so I could iron it. It reminds me of a super-hero cape!

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Here’s the back of the neck:

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The dress is two parts (an underskirt and an overdress). The underskirt’s hem has wide venise lace, which is also used for the sleeve cuffs on the overdress.

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The overskirt is edged with floral venise lace and little ribbon flowers. (It took a very long time to sew everything on by hand). The big silk flowers were salvaged from the vintage wedding dress.

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I wore the ensemble at a GBACG fashion show, along with vintage leather gloves with cutouts, and a sculpted clay tiara (that I had worn for my wedding).

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All the fabric for this dress was taken from a vintage silk wedding dress I found in a thrift shop. The middle panel with the beading was taken intact but all pieces of fabric in my dress were recut by me. Here’s a picture of it before I took it apart.

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It was an early 90s dress with a V back, puffed sleeves and a long waist.Image

Look at all that fabric in the train!

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I also used the lining from the dress to line my dress. I already had the venise lace and roses, so this project was very economical compared to buying many yards of new silk. This fabric was also very nice to work with. It is very crisp, ironed well and holds its shape. I would like to work with more silk taffeta in the future if I can find another cheap source of it!

GBACG 18th Century Revolutionary Picnic

Yesterday I attended an 18th-Century themed picnic hosted by the Greater Bay Area Costumer’s Guild.

I wore my recently completed wool riding jacket.

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It was in Tiburon, California.  It was a beautiful day with a wedding nearby. Some of the guests occasionally wandered over to ask us what we were doing.

I was wearing my new silk clocked stockings from American Duchess. My leather shoes and reproduction buckles are also made by her.

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The shoes are very popular in our local costuming group. I found 5 of us wearing red ones at the picnic!

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Some improvements I would like to make for this outfit next time:

– constructing a bum roll (to pad out the back)

– stiffening the jacket to reduce the buckling I saw in the front

– making a new hat

– getting a more appropriate wig

I ran short of time to make or find a “hedgehog wig” used in the late 18th century so I modified my old Marie Antoinette tall poufy wig from last Halloween. Since it’s hollow inside I squished it down, held it in place with black bobby pins and sprayed it with dry shampoo to reduce the shine.

The rest of my pictures from the picnic are located on my Flickr account: http://www.flickr.com/photos/vivien_misc/sets/72157631658642531/

18th Century Inspired Riding Habit Done!

I finished my jacket over a week ago but haven’t gotten around to posting pictures because I was wondering if it needed more cockades. (I might save those for a hat).

The jacket is made of powder blue Merino wool and lined with linen and cotton.

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The gold-colored silk skirt was previously made to go with a green dress, hence the ruffled green trim on the bottom.

The cotton lace is vintage and was given to me by a friend.

The cuffs and collar are made from the same embroidered cotton jacquard the false vest is made from. The mini cockades are made from pleated ribbon and gold/silver-colored buttons.

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I plan to wear the ensemble at a Revolutionary Picnic hosted by the California Greater Bay Area Costumer’s Guild, along with shoes and stockings from American Duchess.