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18th Century Half-Boned Stays (Part 2)

I’ve sewn together the silk cover and canvas interlining. Most of the boning channels are stitched, although the last two channels next to where the eyelets will be in the back are going to wait until I have a fitting.

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Since contrast stitching was popular with stays I decided to go with blue thread, and later I will have blue binding to finish the edges. To save time I did machine stitching, but if I have the opportunity to make another pair of stays I would prefer to do hand-sewing or not do contrast stitching. The colored thread make the areas where I had to backstitch on the machine much more obvious, such as the short horizontal boning channels. It’s also harder to control exactly where the stitches end on a sewing machine, and there were places where I had to rip out stitches because I wasn’t entirely happy with the placement. Oh well, lesson learned! Still, for a first try at stays I’m satisfied with how it’s turning out.

The remaining steps are determining the placement of the eyelets and final channels, boning with reed, attaching the lining, slashing the tabs, and then binding all the edges.

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5 responses »

  1. They look awesome!

    Reply
  2. Pingback: 18th Century Half-Boned Stays (Part 3) | Fresh Frippery

  3. Pingback: 18th Century Half-Boned Stays (Part 4) | Fresh Frippery

  4. Pingback: 18th Century Half-Boned Stays (Part 5): How to Do Eyelets | Fresh Frippery

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